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Trees are not a natural group; they are just extra tall species and examples of them occur in many plant families. At least five metres tall is usually taken as the qualifying height that a mature adult plant must attain before it can be regarded a tree.
In an article published in the online magazine Slate in June 2014, just prior to the release of the film adaptation of John Green's popular and highly acclaimed young adult novel The Fault in Our Stars, Ruth Graham berated adult readers for reading \"realistic\" young adult fiction. Citing the statistic that the \"largest group of buyers\" for YA \"are between ages 30 and 44,\" she explains that she fears that books such as Green's \"that are about real teens doing real things\"--as distinct from popular franchises such as Divergent and Twilight, which she dismisses as \"transparently trashy\"--are \"replacing literary fiction in the lives of ... adult readers.\" The perspective that social realist young adult fiction invites its readers to inhabit in relation to the world, Graham argues, is essentially immature and uncritical: \"It's not simply that YA readers are asked to immerse themselves in a character's emotional life--that's the trick of so much great fiction--but that they are asked to abandon the mature insights into that perspective that they (supposedly) have acquired as adults.\" Graham holds up The Fault in Our Stars along with a handful of other best-selling contemporary YA novels--Gayle Forman's If I Stay, Rainbow Rowell's Eleanor and Park, Stephen Chbosky's The Perks of Being a Wallflower, and Ned Vizzini's It's Kind of a Funny Story--as containing examples of narrative features that adult (that is, mature) readers should reject: \"simple\" and \"uniformly satisfying\" endings, a lack of \"emotional and moral ambiguity,\" and a preponderance of \"likable protagonists.\" Truly adult pleasures, Graham avows, lie in \"messy, unresolved stories\" and \"in reading about people with whom [readers] can't empathize at all.\" 781b155fdc